(intro / versos)
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Oh, well imagine, as I'm pacing the pews in a church corridor,
and I can't help but to hear, no I can't help but to hear an exchanging of words:
"What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a
waiter.
"Yes, but what a shame, what a shame, the poor groom's bar is a whore."
(refrão)
Am F D7 F
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am F D7 G
No, it's much better to face these kinds of things with a sense of poise and
rationality.
Am F D7 F
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am F D7 G
No, it's much better to face these kinds of things with a sense of...
Well in fact, well I'll look at it this way, I mean technically our marriage is
saved
Well this calls for a toast, so pour the champagne
Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is
saved
Well this calls for a toast, so pour the champagne, pour the champagne...
( F7m D7/A )
( G/B ) (2x)
Am F D7 F
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am F D7 G
No, it's much better to face these kinds of things with a sense of poise and
rationality.
Am F D7 F
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am F D7 G
No, it's much better to face these kinds of things with a sense of poise and
Am F7m G
rationality. Yeeeheeh!